England’s Secret Weapon
29th April, 1 Comment
By John Watson
“It is midnight. Clouds scud across the face of the Houses of Parliament as Big Ben begins its familiar chime . . . ”
So begins the Introduction to Amanda J Field’s book, England’s Secret Weapon, about the wartime films in which Basil Rathbone played Holmes.
This book provides a fresh insight into the performances that, for many, made Rathbone “The Definitive Holmes“.
Field is a member of the Sherlock Holmes Society of London and a volunteer at the Portsmouth Museum where she is helping to catalogue Richard Lancelyn Green’s immense collection of memorabilia. Field is a film historian and the book is principally concerned with where the fourteen films fit within the times they were made and the films genres they represent.
But before that she provides a wonderful introduction to Holmes on the screen.
Holmes had been portrayed in various media (books, radio, films, etc.) for over forty years with at least twenty-two other actors taking on the role, each one adding something of their own to my original description, a deerstalker hat (drawn by Sidney Paget in an illustration in The Boscombe Valley Mystery), a calabash pipe (added by William Gillette), etc. But it was Basil Rathbone’s portrayal that for many became, and has remained, the standard against which all others are assessed. At the same time as these films were produced, Rathbone and Bruce continued to play us on the radio, with the result that Rathbone was more often referred to as Holmes by the general public than by his own name. I have referred to these radio broadcasts in my series about Holmes on the radio and in reviews of these broadcasts as issued in The New Adventures of Sherlock Holmes, Volumes I, II and III.
Field’s analysis provides some interesting insights.
Firstly that each film used 221B as a sort of “time capsule” to represent the certainty surrounding Holmes and everything he stands for and we would retreat into the relative safety of our lodgings when necessary before venturing forth again to do battle with the foe. In discussing this with an associate, he drew a parallel with the BBC Doctor Who series in which the Doctor can always retreat to the Tardis for safety. There is also scenes in each of the films where there is a contrast between what the characters are wearing to reflect their different beliefs. For example, in The Hound of the Baskervilles where Dr Mortimer is meeting Sir Henry as he disembarked, Mortimer is wearing Victorian costume and Sir Henry is wearing more contemporary clothes.
Secondly she questions the assumption that Twentieth Century Fox had lost interest in Holmes after making The Hound of the Baskervilles and The Adventures of Sherlock Holmes, both set in Victorian times. It may have been more to do with the money-making aspirations of Arthur’s sons Denis and Adrian (who have been described as “spendthrift playboys”) than any lost of interest.
Most interesting of all is the separation of the fourteen films into four key themes:
- The Victorian setting of the first two films – The Hound of the Baskervilles and The Adventures of Sherlock Holmes
- The war-themed films of 1942 and 1943 – Sherlock Holmes and the Voice of Terror, Sherlock Holmes and the Secret Weapon and Sherlock Holmes in Washington
- The gothic films – Sherlock Holmes Faces Death, The Scarlet Claw, and The House of Fear
- The appearance of the female villain – Spider Woman, The Pearl of Death, The Woman in Green and Dressed to Kill
These four groupings show an initial desire to bring Holmes to the screen in his normal historical settings and then to use his values as propaganda during the Second World War – cleverly keeping 221B within the Victorian setting to emphasise this. Then moving into horror as an escape from the war and finally recognising the changes in the role of women and their place in society following the war.
Her analysis shows there is much more to be read in these films than I had before realised, so I plan to view them again soon.
Posted in Basil Rathbone, Films, Radio, The Hound of the Baskervilles, The New Adventures of Sherlock Holmes
The New Adventures of Sherlock Holmes, Volume III
21st December, No Comments
By John Watson
Volume III of The New Adventures of Sherlock Holmes brings us another mixture of stories from the Canon (The Man with the Twisted Lip and The Speckled Band) and pastiches including stories that I mentioned but never published (The Tankerville Club and The Camberwell Poisoners) and some completely new stories all from the prolific Anthony Boucher and Denis Green. The recordings are, as usual, complete with the war-time announcements, original narrations and radio commercials. The quality on some of them is not perfect (they are the same transcriptions that appeared on the original cassette versions) but this should not mar your enjoyment.
Again we have twelve broadcasts with Basil Rathbone as Holmes and Nigel Bruce as me (never quite as bumbling as he was in the films) except for one story where Eric Snowden took Bruce’s place as he was ill. The details on the packaging lack the actual broadcast dates but I will fill those in for you.
Disc 1 – Introduced by Ben Wright
The Murder in the Casbah (based on a reference in SCAN and broadcast December 3rd 1945)
The Tankerville Club (based on a reference in FIVE and broadcast April 22nd 1946)
Disk 2 – Introduced by Harry Bartell
The Strange Case of the Murderer in Wax (based on a reference in SECO and broadcast January 7th 1946)
The Man with the Twisted Lip (broadcast May 6th 1946)
Disc 3 – Introduced by BenWright
The Guileless Gypsy (based on a reference in REDC and broadcast February 11th 1946)
The Camberwell Poisoners (based on a reference in FIVE although the disc and the box carry the title incorrectly as ‘The Camberville Poisoners’, and broadcast February 18th 1946)
Disc 4 – Introduced by Harry Bartell
The Terrifying Cats (based on a reference in BLAC and broadcast February 25th 1946. In this episode my part is taken by Eric Snowden as Nigel Bruce was ill. Snowden was later to play me in a later series with Ben Wright as Holmes). These facts are not disclosed on the CD or the box!
The Submarine Caves (based on a reference in BRUV and broadcast March 4th 1946)
Disc 5 – Introduced by Peggy Webber
The Living Doll (based on a reference in COPP and broadcast March 11th 1946)
The Disappearing Scientists (based on a reference in REIG and broadcast April 8th 1946)
Disc 6 -
The Adventure of the Speckled Band (broadcast November 11th 1945)
The Purloined Ruby (based on a reference in SECO and broadcast May 7th 1945)
I am still listening to these recordings and some of the extras are quite fascinating, including an interview with a certain Irene Norton nee Adler! I will provide more details as they come to light.
Posted in Basil Rathbone, Radio, The New Adventures of Sherlock Holmes
Watson’s Christmas List 2011
4th December, 1 Comment
By John Watson
As Holmes never seems to want of anything, this is my Christmas List instead of his!
Most of what you see here I already have but some of the items only become available just before Christmas so I don’t have them yet.
Let me start off by recommending to you A Study In Sherlock.
This is the ideal gift for that person who has the whole Canon but wants something a bit different. This is a wonderful compendium of stories inspired by the Canon. The sort of book you want to curl up with in your favourite armchair in front of a blazing fire on a cold winter’s evening.
Here you will find sixteen stories plus a fascinating introduction by Laurie King (known to my readers as Mary Russell’s literary agent) and Leslie Klinger (author of the Sherlock Holmes Reference Library and the New Annotated Sherlock Holmes). Holmes crops up in some of the stories, as do I, but other characters employ Holmes methods, with varying success.
As the cover says this is a “perfect tribute” in a “collection of twisty, clever, and enthralling studies of a timeless icon”. I hope the book is a great success and if it is perhaps King and Klinger will consider making this an annual event producing a new collection at the end of each year.
You can find out more at their website.
In mentioning Mary Russell, Laurie King has published Mary’s latest memoir The Pirate King.This is one of the lighter of Mary’s adventures.
In England’s young silent-film industry, the megalomaniacal Randolph Fflytte is king. Nevertheless, at the request of Scotland Yard, Mary Russell is dispatched to investigate rumors of criminal activities that swirl around Fflytte’s popular movie studio. So Russell is traveling undercover to Portugal, along with the film crew that is gearing up to shoot a cinematic extravaganza, Pirate King. Based on Gilbert and Sullivan’s The Pirates of Penzance, the project will either set the standard for moviemaking for a generation . . . or sink a boatload of careers.
Nothing seems amiss until the enormous company starts rehearsals in Lisbon, where the thirteen blond-haired, blue-eyed actresses whom Mary is bemusedly chaperoning meet the swarm of real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, Russell feels a building storm of trouble: a derelict boat, a film crew with secrets, ominous currents between the pirates, decks awash with budding romance—and now the pirates are ignoring Fflytte and answering only to their dangerous outlaw leader. Plus, there’s a spy on board. Where can Sherlock Holmes be? As movie make-believe becomes true terror, Russell and Holmes themselves may experience a final fadeout.
Two notable pastiches appeared late this year, the first that I wish to mention is Barefoot on Baker Streetby Charlotte Anne Walters. This, like The House of Silk, which I will list next, attempts to rewrite parts of the Canon and weave into them a completely new story. In my view, Walters makes a better job of this that Horowitz does in The House of Silk. The inclusion of The Blue Carbuncle and the Man with the Twisted Lip, as well as other stories, is very well done and the period setting is mostly correct. Just one quibble though with the text. Holmes tells a bereaved mother that he is “sorry for their loss”. This phrase is entirely recent (an unwelcome American import, in my opinion) and Holmes is more likely to have said “May I offer my condolences?”
Some may have concerns about Red, the heroine of the adventures, and her liaisons with the three main male characters which I won’t go into detail about here to avoid spoiling the plot. One of these liaisons is quite ridiculous and doesn’t really work but is, I think necessary for the plot.
But all that said it is still an excellent story from a new author. As part of the publicity for her book and as a build up to the Great Holmes Debate, Walters read and reviewed all 56 of the short stories and gave each one a score out of ten. These provide an excellent guide to the stories and I hope she will consider doing the same for my four long stories.
The other pastiche is The House of Silkby Andrew Horowitz. Again this is a very good story but the book is spoiled by the attempt to include too many Canonical references, some of which are wrong, and some of which are entirely unnecessary.
I have already written a more detailed review but if you can ignore these inaccuracies then it is still a good read.
Following on from the success of the BBC Sherlock, the creators, Steven Moffatt and Mark Gattis, have provided introductions to the novels and the collected editions of the short stories, published by BBC Books.
Moffatt introduces A Study In Scarletand lets us know that at first he got Holmes and I the wrong way round after looking at one of the pictures. I looked older and he assumed I had to be the clever one. A Study in Scarlet enlivened a weekend with his grandparents. He acknowledges how much they took from the original when producing the BBC series.
Mark Gatiss introduces The Adventures of Sherlock Holmesin a similar way to Moffatt, this time telling us that he can’t quite remember when he became aware of what he calls our “imperishable friendship”.
They both envy anyone reading my stories for the first time. Even if you have all the stories already, find your local bookshop (whilst it’s still in business) and read these introductions even if you don’t buy the books. I know that not really helping keeping the bookshop in business but you could buy something else whilst you were there and what about buying these editions for someone you know who enjoyed the BBC series but has never read my original stories on which the series was based?
If you don’t yet have this DVD of the marvellous BBC Sherlockfirst series then you’re missing a real treat. On the DVD you get all three episodes plus the pilot version of A Study In Pink and a short film about the making of the series. The pilot version of A Study In Pink has a subtly different plot and is nowhere near as polished as the broadcast version. But there are some memorable shots including one of Holmes on a roof (looking for the pink suitcase I think) in a sort of Batman pose!
I have reviewed the first set of The Carleton Hobbs Sherlock Holmes Collection and earlier this year The Carleton Hobbs Sherlock Hobbs Further Collection was released. This new collection of dramas, starring Carleton Hobbs is from the BBC Radio Archive. In this these twelve classic stories, Carleton Hobbs established the ‘sound’ of Sherlock Holmes, with Norman Shelley as his superb Watson. Collected together on CD for the first time, with a specially commissioned introduction by Nicholas Utechin, former Editor of “The Sherlock Holmes Journal”. This collection includes: “The Copper Beeches”, “Thor Bridge”, “The Sussex Vampire”, “The Three Garridebs”, “The Three Gables”, “The Retired Colourman”, “The Boscombe Valley Mystery”, “The Crooked Man”, “The Cardboard Box”, “A Case of Identity”, “The Naval Treaty”, and “The Noble Bachelor”. I understand from one of my contacts that more have been “cleaned up” so more may be released next year.
I have just received a copy of Alistair Duncan’s latest book An Entirely New Country.
This new book covers the period in Arthur’s life when he returned to England after several years abroad. His new house, named Undershaw, represented a fresh start but it was also the beginning of a dramatic decade that saw him fall in love, stand for parliament, fight injustice and be awarded a knighthood. However, for his many admirers, the most important event of that decade was the return of Sherlock Holmes – whom he felt had cast a shadow over his life.
Finally, for now, the latest collection of The New Adventures of Sherlock Holmes.This is volume 3 and includes Murder in the Casbah, The Tankerville Club, The Strange Case of the Murderer in Wax, The Man With The Twisted Lip, The Guileless Gypsy, The Camberville Poisoners, The Terrifying Cats, The Submarine Cave, The Living Doll, The Disappearing Scientists, and The Adventure of the Speckled Band and The Purloined Ruby. This volume is not released until December 6th.
Another bumper year for Holmes fans and with a new film and a new series of Sherlock coming soon there must be more to come!
The Carleton Hobbs Sherlock Holmes Further Collection
13th August, 4 Comments
By John Watson
Following on from the release of the first collection on six compact discs, this Sherlock Holmes Further Collection (BBC Audio) comprises six more compact discs with another twelve of my stories from the Canon with Carleton Hobbs as Holmes and Norman Shelley as me.
Each story is introduced by Nick Utechin, former editor of the Journal of the Sherlock Holmes Society of London. Recordings of four of the stories were supplied by Roger Johnson, also of the Sherlock Holmes Society of London, as these were missing from the BBC Archives.
The packaging of this second set differs from the first. The six compact disks are stacked together on a spindle rather than in pairs in separate 2CD cases and this may result in some wear over time.
The sleeve notes are minimal (Nick Utechin’s introductions on the discs provide all the information you really need).
One quibble though. The track listings are incorrect. Someone has assumed that each disc contains 20 tracks and that each of the two stories on each disc takes up 10 tracks. This is not the case as my correct track listing below shows. I have also given the full broadcast date.
CD1
- The Copper Beeches (Track 1 Introduction to the Collection, Tracks 2 Story introduction, Tracks 3 to 9 Story) broadcast 11th August 1959
- Thor Bridge (Track 10 Introduction, Tracks 11 to 18 Story) broadcast 1st January 1962
CD2
- The Sussex Vampire (Track 1 Introduction, Tracks 2 to 9 Story) broadcast 18th September 1964
- The Three Garridebs (Track 10 Introduction, Tracks 11 to 19 Story) broadcast 4th September 1964
CD3
- The Three Gables (Track 1 Introduction, Tracks 2 to 10 Story) broadcast 2nd October 1964
- The Retired Colourman (Track 11 Introduction, Tracks 12 to 18 Story) broadcast 9th October 1964
CD4
- The Boscombe Valley Mystery (Track 1 Introduction, Tracks 2 to 8 Story) broadcast 12th December 1966
- The Crooked Man (Track 9 Introduction, Tracks 10 to 16 Story) broadcast 19th December 1966
CD5
- The Cardboard Box (Track 1 Introduction, Tracks 2 to 11 Story) broadcast 19th April 1960
- A Case of Identity (Track 12 Introduction, Tracks 13 to 22 Story) broadcast 26th June 1969
CD6
- The Naval Treaty (Track 1 Introduction, Tracks 2 to 19 Story) broadcast 22nd March 1960
- The Noble Bachelor (Track 20 Introduction, Tracks 21 to 26 Story) broadcast 18th August 1959
As I usually transfer compact disks to iTunes I also noticed that the track listing have not been uploaded into Gracenote (where iTunes get its track information from) so there is no information downloaded into iTunes to identify each track other than the track number.
Posted in Carleton Hobbs, Radio
I have my plans [ILLU]
27th June, 1 Comment
By John Watson
Looking forward to later in the year . . .
August
4th – The Carleton Hobbs Sherlock Holmes Further Collection with Carleton Hobbs and Norman Shelley (with introductions by Nicholas Utechin)
A further collection of Sherlock Holmes dramas, starring Carleton Hobbs, from the BBC Radio Archive. In this these twelve classic stories, Carleton Hobbs established the ‘sound’ of Sherlock Holmes, with Norman Shelley as his superb Watson. Collected together on CD for the first time, with a specially commissioned introduction by Nicholas Utechin, former Editor of “The Sherlock Holmes Journal”. This collection includes: “The Copper Beeches”, “Thor Bridge”, “The Sussex Vampire”, “The Three Garridebs”, “The Three Gables”, “The Retired Colourman”, “The Boscombe Valley Mystery”, “The Crooked Man”, “The Cardboard Box”, “A Case of Identity”, “The Naval Treaty”, and “The Noble Bachelor”.
September
1st – A Brief History of Sherlock Holmes by Nigel Cawthorne
Sherlock Holmes continues to have a perennial allure as the ultimate sleuth. As Holmes is being re-introduced to a new audience through TV and film, Cawthorne introduces the general reader to Holmes including his resurrection following his unlikely death at the hands of arch enemy, Moriarty. Cawthorne also surveys the world of Holmes, looking at Victorian crime, myself and Inspector Lestrade, as well as the world on the doorstep of 221B Baker Street.
6th – Pirate King: A Novel of Suspense Featuring Mary Russell and Sherlock Holmes by Laurie King
In England’s young silent-film industry, the megalomaniacal Randolph Fflytte is king. Nevertheless, at the request of Scotland Yard, Mary Russell is dispatched to investigate rumors of criminal activities that swirl around Fflytte’s popular movie studio. So Russell is traveling undercover to Portugal, along with the film crew that is gearing up to shoot a cinematic extravaganza, Pirate King. Based on Gilbert and Sullivan’s The Pirates of Penzance, the project will either set the standard for moviemaking for a generation . . . or sink a boatload of careers.
Nothing seems amiss until the enormous company starts rehearsals in Lisbon, where the thirteen blond-haired, blue-eyed actresses whom Mary is bemusedly chaperoning meet the swarm of real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, Russell feels a building storm of trouble: a derelict boat, a film crew with secrets, ominous currents between the pirates, decks awash with budding romance—and now the pirates are ignoring Fflytte and answering only to their dangerous outlaw leader. Plus, there’s a spy on board. Where can Sherlock Holmes be? As movie make-believe becomes true terror, Russell and Holmes themselves may experience a final fadeout.
November
1st – The House of Silk - by Andrew Horowitz
The book is set in 1890, but as written by me in a retirement home (Mrs Hudson may have something to say about that), a year after the death of Holmes. The story opens with a train robbery in Boston, and moves to the innocuous setting of Wimbledon – but, Holmes says, the tale was too monstrous, too appalling to reveal until now. “It is no exaggeration to say it could tear apart the very fabric of society”, he writes in the prologue.
24th – Study In Sherlock edited by Laurie King and Leslie Klinger
Neil Gaiman, Laura Lippman and Lee Child are just three of 18 superstar authors who provide fascinating, thrilling and utterly original perspectives on Sherlock Holmes in this one-of-a-kind book. These modern masters place the sleuth in suspenseful new situations, create characters that solve Holmesian mysteries, contemplate Holmes in his later years, fill gaps in the Sherlock Holmes canon and reveal their own personal obsessions with the infamous detective. It is the perfect tribute and a collection of twisting, clever studies of a timeless icon.
December
5th – An Entirely New Country – Arthur Conan Doyle, Undershaw and the Resurrection of Sherlock Holmes by Alistair Duncan
The late 1890s saw Arthur Conan Doyle return to England after several years abroad. His new house, named Undershaw, represented a fresh start but it was also the beginning of a dramatic decade that saw him fall in love, stand for parliament, fight injustice and be awarded a knighthood. However, for his many admirers, the most important event of that decade was the return of Sherlock Holmes – the character that he felt had cast a shadow over his life.
6th – The New Adventures of Sherlock Holmes – Volume 3 by Anthony Boucher and Denis Green
More radio adventures with Basil Rathbone and Nigel Bruce.
I will add to the list as I become aware of new releases that I may want to add to my collection . . .
The Hound of the Baskervilles
7th May, 1 Comment
By John Watson
The Hound of the Baskervilles is most people’s favourite Holmes adventure and it has been the subject of many radio adaptations and over half a dozen films. For many it was their first encounter with Holmes, as played by Basil Rathbone in the version bearing the full title “Sir Arthur Conan Doyle’s The Hound of the Baskervilles”. I will gloss over for the moment how my literary agent seems to take most of the credit!
I envy those who have never heard the story before whose suspicions of everyone but the real villain are aroused by the events as they unfold in my narrative.
Laurence Owen has been working on this new version for four months and he describes it as a labour of love. He says that his parents introduced him to my accounts when he was very young and he has been hooked ever since. It has been something of a life ambition to have a stab at an adaptation himself. He has assembled his cast (including himself), recorded and edited the performance, adding sound effects (some subtle, some quite startling) and composed and added a musical score. He calls it a “radio film” and he feels that The Hound lends itself particularly well to sound or radio adaptations. Many filmed versions of The Hound have been criticised because of the feeble nature of the actual hound (in one example leading a reviewer to refer to the poor creature as “The dog that did nothing in the night-time”). Owen prefers to create an image in the listener’s imagination using only sound.
In choosing The Hound, he mentions that he is also keen on The Creeping Man, The Speckled Band and in particular The Devil’s Foot, indicating a preference with the gothic, although he thinks that if The Hound is well-received, he might consider The Blue Carbuncle (hardly a gothic story!) as it would give him lots of interesting sound effects to simulate – markets, geese, drunken rows etc. – as well as a nice Christmas-themed soundtrack to compose.
The result of all his labours with The Hound is a very atmospheric production, true to my original story in almost all respects, that is best listened to, as Owen suggests, in complete darkness, though if you’re holding the glass of brandy as he also suggests, you may lose its entire contents!
I noticed two characters were missing from the plot – I will leave you to work out who they are. One was excluded because of time constraints (see later) - the other to enhance the drama in one of the key scenes near the end.
The recording is available as a stereo podcast and will also be available in 5.1 surround sound that will take “listeners on a chilling and unforgettable sonic journey” and this is where the time constraints mentioned earlier become important.
Owen will eventually play the piece in a theatrical setting, in complete darkness, in surround sound. For this reason its length needs to be reasonably short, since the piece demands quite a lot of attention from its audience.
This surround sound version will be presented as a cinema or theatre style performance, for people to enjoy as a group. The idea is that they come along to a designated venue, as they would with a movie or a play, and experience a radio-style piece together in total darkness. This is very rarely done, and it is hoped that it will encourage the audience’s imaginations to really come into their own. This version of the piece is still in development, and we await further information about these performances. The current plan is to present them in Fringe theatre style environments, and as such will be ticketed events. Look out for The Hound of the Baskervilles at next year’s Brighton and Edinburgh festivals.
The Hound of the Baskervilles is available from Corporate Records, which provides a new way for performers (mainly musicians) to share, sell and promote their work. Performers can sell single tracks or group them into multiple albums, set minimum prices or use a pay-what-you-like system, embed their tracks in blogs and share static download links on Twitter and Facebook.
The album version of The Hound of the Baskervilles is now available.
More information about Laurence Owen’s The Hound of the Baskervilles can be found at www.facebook.com/thehoundofthebaskervilles and Owen is on Twitter at @laurenceowen
A promotional video can also be found on You Tube at The Hound is Released!
Posted in Internet, Media, Radio, The Hound of the Baskervilles
The Lost and Forgotten Stories of Sherlock Holmes
28th January, 3 Comments
By John Watson
In relating the details of the New Adventures of Sherlock Holmes as released on CD and their orginal broadcasts on American radio, it is worth noting that amongst those written by Denis Green and Anthony Boucher, several of these broadcasts have been written up as stories and these stories can be found in two volumes.
The Lost Adventures of Sherlock Holmes, by Ken Greewald, includes the following stories. Greenwald mentions on the flyleaf that each story is based on an incident in one of my original stories and I have appended these to each title as the usual abbreviation. I have also given the Volume number if the story appears in the CD collection and the date of the orginal radio broadcast.
- The Adventure of the Second Generation [SCAN, 17th December 1945, V2]
- The April Fool’s Adventure [STUD, 1st April 1946, V1]
- The Case of the Amateur Medicants [FIVE, 2nd April 1945, V1]
- The Adventure of the Out-of-Date Murder [WIST, 9th September 1945, V2]
- The Case of the Demon Barber [YELL, 28th January 1946, V1]
- Murder Byond the Mountains [EMPT, 15th January 1946]
- The Case of the Uneasy Easy Chair [MUSG, 13th May 1946, V1]
- The Case of the Baconian Cipher [ SIGN, 27th May 1946]
- The Adventure of the Headless Monk [DEVI, 15th April 1945, V1]
- The Case of the Camberwell Poisoners [FIVE, 18th February 1946]
- The Adventure of the Iron Box [SILV, 31st December 1945, V2]
- The Case of the Girl with Gazelle [FINA, 25th May 1946, V1]
- The Adventure of the Notorious Canary Trainer [WIST, 23rd April 1945]
The Forgotten Adventures of Sherlock Holmes, by H Paul Jeffers, includes the following stories.
Again I have the Volume number if the story appears in the CD collection (only the first two in this case) and the date of the orginal radio broadcast.
Where there is a link to the original stories I have mentioned these.
- In Flanders Fields [14th May 1945, V2]
- The Paradol Chamber [FIVE, 21st May 1945,V1]
- The Accidental Murderess [26th November 1945]
- The Adventure of the Blarney Stone [18th March 1946]
- The Book of Tobit [26th March 1945]
- The Haunting of Sherlock Holmes [20th May 1946]
- The Adventure of the Stuttering Ghost [12th October 1946]
- The Clue of the Hungry Cat [26th October 1946]
- The Singular Affair of the Dying Schoolboys [9th November 1946]
- The Adventure of the Sally Martin [23rd November 1946]
- The Adventure of the Grand Old Man [21st December 1946]
- The Darlington Substitution [SCAN, 4th January 1947]
- The Adventure of Maltree Abbey [31st May 1947]
Both of the books are out of print but there are second-hand copies available at reasonable prices.
Most of these broadcasts are available from the Sherlock Holmes Adventures Podcast and elsewhere on the Internet.
It is interesting to compare these written stories with their radio counterparts. The authors of these collections have done an excellent job, particulary Jeffers, in maintaining the style of my original stories.
On the fourth day of the New Year [FIVE]
4th January, 1 Comment
By John Watson
As we enter 2011, I thought I would share with you my plans for the coming year.
I have several books to review. These include Mr Holmes and Dr Watson – Their Strangest Cases by Edith Meiser, The Official Papers Into The Matter Known As The Hound of the Baskervilles (DCC/1435/89 refers) by Kieron Freeburn, The Lost Stories of Sherlock Holmes edited by Tony Reynolds, a series of books by Molly Carr including The Sign of Fear, A Study In Crimson and In Search of Doctor Watson, Arthur Conan Doyle, Sherlock Holmes and Devon, a tour guide by Brian Pugh, Paul Spiring and Sadru Bhanji. There is also the audiobook, The Rediscovered Railway Mysteries by John Taylor read by Benedict Cumberbatch that I have yet to review.
New books expected this year include Watson’s Afghan Adventure – How Sherlock Holmes’ Dr.Watson Became an Army Doctor due January 24th, Reasoning Backwards: Sherlock Holmes’ Guide to Effective Problem Solving due March 1st, The Sherlock Holmes School of Self-Defence: The Manly Art of Bartitsu: as Used Against Professor Moriarty, due April 27th, and The Strange Return of Sherlock Holmes due any day now.
Finally, in the books section, I will be looking at a series of children’s reading books based on the Sherlock Holmes stories from Lerner Books.
I have also received a DVD of Robert Stephens in The Private Life of Sherlock Holmes, The BBC Sherlock Holmes Collection (which includes Peter Cushing in A Study in Scarlet, The Boscombe Valley Mystery, The Hound of the Baskervilles, The Sign of Four and the Blue Carbuncle, Richard Roxburgh in another version of The Hound of the Baskervilles, Rupert Everett in The Case of the Silk Stocking, and Douglas Henshall in The Strange Case of Sherlock Holmes and Arthur Conan Doyle) and Tom and Jerry Meet Sherlock Holmes.
I plan to follow up the popular articles about Holmes on the radio (in the UK, parts 1 and 2, and in the USA, parts 1 and 2) with Holmes on television and on film.
We can expect a new series of BBC Sherlock in the autumn and a new Robert Downey Jr Sherlock Holmes film at the end of the year.
So, all in all, it looks like a busy year for all those who admire the best and wisest man whom I have ever known.
Posted in Books, Films, News, Radio, Television
I hear of Sherlock everywhere [GREE] – American Radio Part 2
12th July, 5 Comments
By John Watson
At the end of Part 1, I said the heyday of Holmes on the radio in the USA was coming to an end with the series of 39 shows with Ben Wright as Holmes and Eric Snowden taking my part. This series lasted until June 1950.
Then, after a gap of five years, in 1955 the shows with the Gielgud and Richardson pairing mentioned in British Radio Part 1 were broadcast in the USA in a different order and with four extra shows. These were repeated in 1956.
In 1959, 36 of the Carleton Hobbs and Norman Shelley shows were aired for the first time in the USA.
Then after what appears to be a very long gap, in 1977 the CBS Mystery Theatre broadcast eleven shows with Kevin McCarthy as Holmes and Cort Benson as Watson. These shows are all from the Canon and include HOUN, SIGN, STUD, REDH, BOSC, SPEC, SCAN, BLUE, BERY, IDEN and GLOR.
I can then find details of three more CBS Mystery Theatre shows, all with Gordon Gould as Holmes but with a different Watson in each case – MUSG with Lloyd Batesta in 1981, NAVA with Bernard Grant in 1982, and NAVA again later in 1982 with William Griffiths.
Nine years later in 1991, Edward Petherbridge appeared as Holmes with David Peart as Watson in STUD followed by VALL, FIVE, TWIS, SILV, GREE, SCAN, BLUE, SPEC, BRUC, NOBL, SIXN and HOUN stretching into 1993.
I also have a note of a production of HOUN with Nicol Williamson and George Rose but I have no date for this and I cannot tell whether this is a radio broadcast or not.
There are two more series, both of which are still running and produced by Jim French for the Imagination Theatre. The first of these, The Further Adventures of Sherlock Holmes are all pastiches with Lawrence Albert as Watson but with a succession of different actors playing Holmes. These include John Gilbert, John Patrick Lowrie and Denis Bateman. In one episode, Watson (played by Lawrence Albert) impersonates Holmes and works with Mycroft in that episode and the previous one. Over 90 episodes have been produced (at the end of 2009) and scripts and recordings are available.
Following on from this, Jim French started another series in 2005 called The Classic Adventures of Sherlock Holmes with John Patrick Lowrie as Holmes and Lawrence Albert again as Watson. This time they are all stories from the Canon and, as of March 2010, 23 shows have been produced.
So this brings this series itself to an end. The previous parts were:
- Sherlock Holmes on British Radio – Part 1
- Sherlock Holmes on British Radio – Part 2
- Sherlock Holmes on American Radio – Part 1
But, before I go I must acknowledge the following sources without whom this series could not have been produced:
- Allen Eyles “Sherlock Holmes – A Centenary Celebration“, John Murray 1986 ISBN 0-7195-4332-0
- Hugo Brown’s VV341 – The Valley of Fear website
- Jerry Haendiges Vintage Radio Logs website
- Frank M Passages Old Time Radio Program Logs (scroll down the list to Sherlock Holmes and other related series such as “Second Holmes”)
There are still some broadcasts that I am trying to track down but if anyone knows about any that I have missed then please drop me a line care of 221B Baker Street.
I hear of Sherlock everywhere [GREE] – American Radio Part 1
28th June, No Comments
By John Watson
In the USA, broadcasts of Sherlock Holmes radio adaptations began eight years earlier than in Britain with William Gillette playing Holmes and Leigh Lovell as Watson in The Speckled Band in 1930.
This first ever radio broadcast of a Sherlock Holmes story was followed a week later with another actor, Clive Brook, playing Holmes and again with Leigh Lovell as me in A Scandal in Bohemia, and then a week after that by The Red-Headed League.
There then began and almost continuous stream of adaptations through to 1950.
1933 – Richard Gordon took over the role of Holmes from Clive Brook. With Leigh Lovell as Watson they recorded 59 of the 60 stories in the Canon only leaving out The Valley of Fear and missing out on the record set by Clive Merrison and Michael Williams 50 years later. Many of the other stories they recorded are new or based on my unrecorded cases.
1934 – Luis Hector took over the role of Holmes for 12 new stories.
1935 – Harry West took over the role of Watson for 37 episodes which were a mixture of new stories and stories from the Canon.
Two interesting facts about these series are that they were all written or adapted by Edith Meiser and that they were all announced by one Joseph Bell!
1939 – Reprising their popular roles from their two 20th Century Fox films, The Hound of the Baskervilles and The Adventures of Sherlock Holmes, Basil Rathbone and Nigel Bruce appeared as Holmes and Watson in over 200 episodes over six years. They covered 50 stories from the Canon and many new stories.
1945 – Edith Meiser was replaced as the writer by Denis Green, Bruce Taylor and Anthony Boucher in what was to be Basil Rathbone’s last series as Holmes. As I have recorded elsewhere, Rathbone felt that his association with Holmes was getting in the way of other work (echoes of Arthur Conan Doyle here!)
1946 – Tom Conway took over the role of Holmes whilst Nigel Bruce stayed as Watson. In this series of 39 episodes there are only seven tales from the Canon.
1947 – John Stanley took over as Holmes and Alfred Shirley replaced Nigel Bruce as Watson for 39 shows with Edith Meiser returning as the writer with usual mixture of stories.
1948 – Ian Martin became Watson for the first show of a new series of 39 shows and was then replaced by Oliver Wendell Holmes. To avoid any confusion caused by someone called Holmes playing Watson he assumed the stage name of George Spelvin. Again a mixture of tales but this time written by Howard Merrill and Max Ehrlich.
1949 – George Shelton takes over the role of Holmes and Ian Martin back as Watson for 23 stories. This was followed by what was the last series on American Radio with 39 stories starring Ben Wright as Holmes and Eric Snowden as Watson. Denis Green was the writer for this series.
The heyday of Holmes on the radio in the USA was coming to an end. But there are a few loose ends to tie up in Part 2 coming soon!
Posted in Radio