The New Adventures of Sherlock Holmes, Volume III
21st December, No Comments
By The Good Doctor
Volume III of The New Adventures of Sherlock Holmes brings us another mixture of stories from the Canon (The Man with the Twisted Lip and The Speckled Band) and pastiches including stories that I mentioned but never published (The Tankerville Club and The Camberwell Poisoners) and some completely new stories all from the prolific Anthony Boucher and Denis Green. The recordings are, as usual, complete with the war-time announcements, original narrations and radio commercials. The quality on some of them is not perfect (they are the same transcriptions that appeared on the original cassette versions) but this should not mar your enjoyment.
Again we have twelve broadcasts with Basil Rathbone as Holmes and Nigel Bruce as me (never quite as bumbling as he was in the films) except for one story where Eric Snowden took Bruce’s place as he was ill. The details on the packaging lack the actual broadcast dates but I will fill those in for you.
Disc 1 – Introduced by Ben Wright
The Murder in the Casbah (based on a reference in SCAN and broadcast December 3rd 1945)
The Tankerville Club (based on a reference in FIVE and broadcast April 22nd 1946)
Disk 2 – Introduced by Harry Bartell
The Strange Case of the Murderer in Wax (based on a reference in SECO and broadcast January 7th 1946)
The Man with the Twisted Lip (broadcast May 6th 1946)
Disc 3 – Introduced by BenWright
The Guileless Gypsy (based on a reference in REDC and broadcast February 11th 1946)
The Camberwell Poisoners (based on a reference in FIVE although the disc and the box carry the title incorrectly as ‘The Camberville Poisoners’, and broadcast February 18th 1946)
Disc 4 – Introduced by Harry Bartell
The Terrifying Cats (based on a reference in BLAC and broadcast February 25th 1946. In this episode my part is taken by Eric Snowden as Nigel Bruce was ill. Snowden was later to play me in a later series with Ben Wright as Holmes). These facts are not disclosed on the CD or the box!
The Submarine Caves (based on a reference in BRUV and broadcast March 4th 1946)
Disc 5 – Introduced by Peggy Webber
The Living Doll (based on a reference in COPP and broadcast March 11th 1946)
The Disappearing Scientists (based on a reference in REIG and broadcast April 8th 1946)
Disc 6 -
The Adventure of the Speckled Band (broadcast November 11th 1945)
The Purloined Ruby (based on a reference in SECO and broadcast May 7th 1945)
I am still listening to these recordings and some of the extras are quite fascinating, including an interview with a certain Irene Norton nee Adler! I will provide more details as they come to light.
Posted in Basil Rathbone, Radio, The New Adventures of Sherlock Holmes, Uncategorized
Watson’s Christmas List 2011
4th December, 1 Comment
By The Good Doctor
As Holmes never seems to want of anything, this is my Christmas List instead of his!
Most of what you see here I already have but some of the items only become available just before Christmas so I don’t have them yet.
Let me start off by recommending to you A Study In Sherlock.
This is the ideal gift for that person who has the whole Canon but wants something a bit different. This is a wonderful compendium of stories inspired by the Canon. The sort of book you want to curl up with in your favourite armchair in front of a blazing fire on a cold winter’s evening.
Here you will find sixteen stories plus a fascinating introduction by Laurie King (known to my readers as Mary Russell’s literary agent) and Leslie Klinger (author of the Sherlock Holmes Reference Library and the New Annotated Sherlock Holmes). Holmes crops up in some of the stories, as do I, but other characters employ Holmes methods, with varying success.
As the cover says this is a “perfect tribute” in a “collection of twisty, clever, and enthralling studies of a timeless icon”. I hope the book is a great success and if it is perhaps King and Klinger will consider making this an annual event producing a new collection at the end of each year.
You can find out more at their website.
In mentioning Mary Russell, Laurie King has published Mary’s latest memoir The Pirate King.This is one of the lighter of Mary’s adventures.
In England’s young silent-film industry, the megalomaniacal Randolph Fflytte is king. Nevertheless, at the request of Scotland Yard, Mary Russell is dispatched to investigate rumors of criminal activities that swirl around Fflytte’s popular movie studio. So Russell is traveling undercover to Portugal, along with the film crew that is gearing up to shoot a cinematic extravaganza, Pirate King. Based on Gilbert and Sullivan’s The Pirates of Penzance, the project will either set the standard for moviemaking for a generation . . . or sink a boatload of careers.
Nothing seems amiss until the enormous company starts rehearsals in Lisbon, where the thirteen blond-haired, blue-eyed actresses whom Mary is bemusedly chaperoning meet the swarm of real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, Russell feels a building storm of trouble: a derelict boat, a film crew with secrets, ominous currents between the pirates, decks awash with budding romance—and now the pirates are ignoring Fflytte and answering only to their dangerous outlaw leader. Plus, there’s a spy on board. Where can Sherlock Holmes be? As movie make-believe becomes true terror, Russell and Holmes themselves may experience a final fadeout.
Two notable pastiches appeared late this year, the first that I wish to mention is Barefoot on Baker Streetby Charlotte Anne Walters. This, like The House of Silk, which I will list next, attempts to rewrite parts of the Canon and weave into them a completely new story. In my view, Walters makes a better job of this that Horowitz does in The House of Silk. The inclusion of The Blue Carbuncle and the Man with the Twisted Lip, as well as other stories, is very well done and the period setting is mostly correct. Just one quibble though with the text. Holmes tells a bereaved mother that he is “sorry for their loss”. This phrase is entirely recent (an unwelcome American import, in my opinion) and Holmes is more likely to have said “May I offer my condolences?”
Some may have concerns about Red, the heroine of the adventures, and her liaisons with the three main male characters which I won’t go into detail about here to avoid spoiling the plot. One of these liaisons is quite ridiculous and doesn’t really work but is, I think necessary for the plot.
But all that said it is still an excellent story from a new author. As part of the publicity for her book and as a build up to the Great Holmes Debate, Walters read and reviewed all 56 of the short stories and gave each one a score out of ten. These provide an excellent guide to the stories and I hope she will consider doing the same for my four long stories.
The other pastiche is The House of Silkby Andrew Horowitz. Again this is a very good story but the book is spoiled by the attempt to include too many Canonical references, some of which are wrong, and some of which are entirely unnecessary.
I have already written a more detailed review but if you can ignore these inaccuracies then it is still a good read.
Following on from the success of the BBC Sherlock, the creators, Steven Moffatt and Mark Gattis, have provided introductions to the novels and the collected editions of the short stories, published by BBC Books.
Moffatt introduces A Study In Scarletand lets us know that at first he got Holmes and I the wrong way round after looking at one of the pictures. I looked older and he assumed I had to be the clever one. A Study in Scarlet enlivened a weekend with his grandparents. He acknowledges how much they took from the original when producing the BBC series.
Mark Gatiss introduces The Adventures of Sherlock Holmesin a similar way to Moffatt, this time telling us that he can’t quite remember when he became aware of what he calls our “imperishable friendship”.
They both envy anyone reading my stories for the first time. Even if you have all the stories already, find your local bookshop (whilst it’s still in business) and read these introductions even if you don’t buy the books. I know that not really helping keeping the bookshop in business but you could buy something else whilst you were there and what about buying these editions for someone you know who enjoyed the BBC series but has never read my original stories on which the series was based?
If you don’t yet have this DVD of the marvellous BBC Sherlockfirst series then you’re missing a real treat. On the DVD you get all three episodes plus the pilot version of A Study In Pink and a short film about the making of the series. The pilot version of A Study In Pink has a subtly different plot and is nowhere near as polished as the broadcast version. But there are some memorable shots including one of Holmes on a roof (looking for the pink suitcase I think) in a sort of Batman pose!
I have reviewed the first set of The Carleton Hobbs Sherlock Holmes Collection and earlier this year The Carleton Hobbs Sherlock Hobbs Further Collection was released. This new collection of dramas, starring Carleton Hobbs is from the BBC Radio Archive. In this these twelve classic stories, Carleton Hobbs established the ‘sound’ of Sherlock Holmes, with Norman Shelley as his superb Watson. Collected together on CD for the first time, with a specially commissioned introduction by Nicholas Utechin, former Editor of “The Sherlock Holmes Journal”. This collection includes: “The Copper Beeches”, “Thor Bridge”, “The Sussex Vampire”, “The Three Garridebs”, “The Three Gables”, “The Retired Colourman”, “The Boscombe Valley Mystery”, “The Crooked Man”, “The Cardboard Box”, “A Case of Identity”, “The Naval Treaty”, and “The Noble Bachelor”. I understand from one of my contacts that more have been “cleaned up” so more may be released next year.
I have just received a copy of Alistair Duncan’s latest book An Entirely New Country.
This new book covers the period in Arthur’s life when he returned to England after several years abroad. His new house, named Undershaw, represented a fresh start but it was also the beginning of a dramatic decade that saw him fall in love, stand for parliament, fight injustice and be awarded a knighthood. However, for his many admirers, the most important event of that decade was the return of Sherlock Holmes – whom he felt had cast a shadow over his life.
Finally, for now, the latest collection of The New Adventures of Sherlock Holmes.This is volume 3 and includes Murder in the Casbah, The Tankerville Club, The Strange Case of the Murderer in Wax, The Man With The Twisted Lip, The Guileless Gypsy, The Camberville Poisoners, The Terrifying Cats, The Submarine Cave, The Living Doll, The Disappearing Scientists, and The Adventure of the Speckled Band and The Purloined Ruby. This volume is not released until December 6th.
Another bumper year for Holmes fans and with a new film and a new series of Sherlock coming soon there must be more to come!
The House of Silk
10th November, 3 Comments
By The Good Doctor
This is the first Sherlock Holmes novel written by Anthony Horowitz.
It has been endorsed by the Conan Doyle Estate which has led some reviewers to suggest that it somehow more “authentic” that might otherwise be the case. One review I read said that it had been “commissioned by the Conan Doyle Estate”. The dust jacket claims it to be “utterly true to the spirit of the original Conan Doyle books” but this is, in my view questionable. Horowitz appears keen to ensure his story is as “authentic” as he can make it and to this end there are frequent references to detail from the Canon including many of the familiar names (Mrs Hudson, Lestrade, Wiggins, Mycroft and Moriarty), familiar locations (221B and the Diogenes Club) and some of the related cases (The Dying Detective, The Copper Beeches, The Red Headed League, The Resident Patient, and The Final Problem). I started to wonder, seeing all these references to my original stories, if Horowitz is hoping that this book could be the first of a new television series after his plans to take Foyle’s War into the post-war era were turned down by ITV? That would raise the interesting possibility of another screen Holmes!
Alistair Duncan has already published a review of the book and as usual this is an admirably balanced critique. He points out a glaring chronological error and, as I have noted above, the many Canonical references, some of which work better than others. For me, one of the strangest examples of this is the introduction of Professor Moriarty, who has nothing to do with the main plot, who promptly disappears again after making me promise to pretend I have never met him when I do eventually get a glimpse of him (at Victoria Station when Holmes and I are heading for the continent a year later in The Final Problem). Horowitz also chooses to rewrite the sequence of events concerning my first meeting with Holmes.
He does get himself into a knot by using all these references to other cases. Given this case starts in November 1890, he says it is shortly after The Dying Detective when that was two years earlier in 1888 but correctly positions The Red-Headed League in October 1890 and The Resident Patient in October 1881 (but gets the name of the Resident Patient wrong – it was “Blessington” and not “Blessingdon”). Our client from Resident Patient has a small part in this new plot but he says he has been reading my stories in the Cornhill Magazine. I was not aware they had been published in this magazine although some of Arthur’s own stories have been.
None of this is important to anyone but a “hardcore fan” as Duncan calls them and, getting back to the date of the this adventure, Horowitz has added a couple of contemporary references to secure the case in the correct timeframe. The first of these is the mention of the Norton Fitzwarren rail crash that occurred on 11 November 1890 south-west of Taunton, Somerset in which ten people were killed. The second is the mention of the murder “two years before” of Mary Ann Nichols at the end of August 1888 and attributed to Jack the Ripper.
Believe it or not, the story is a good one and although the crime is not one I would have been able to write about in my own time, I found that two-thirds of the way through I couldn’t put it down! I learned a few new words too including “tatterdemalion”, “gallipot” and “magsman” though I puzzled over the use of “liquid cocaine” over the more memorable “seven percent solution”. Something else that was missing was those pithy statements from Holmes that have become some of his best known quotations – except for “when you have eliminated the impossible . . .” which Horowitz does include. I concur with Duncan’s view that if you can get past the errors and the books publicity, it is better than most pastiches.
The House of Silk, read by Derek Jacobi, is the current “Book at Bedtime” on BBC Radio 4. Episodes 1-5 were broadcast Monday November 7th to Friday November 11th . Episodes 6-10 are being broadcast Monday November 14th to Friday November 18th at 22:45 and will be available on the BBC iPlayer for a week after transmission.
The Carleton Hobbs Sherlock Holmes Further Collection
13th August, 2 Comments
By The Good Doctor
Following on from the release of the first collection on six compact discs, this Sherlock Holmes Further Collection (BBC Audio) comprises six more compact discs with another twelve of my stories from the Canon with Carleton Hobbs as Holmes and Norman Shelley as me.
Each story is introduced by Nick Utechin, former editor of the Journal of the Sherlock Holmes Society of London. Recordings of four of the stories were supplied by Roger Johnson, also of the Sherlock Holmes Society of London, as these were missing from the BBC Archives.
The packaging of this second set differs from the first. The six compact disks are stacked together on a spindle rather than in pairs in separate 2CD cases and this may result in some wear over time.
The sleeve notes are minimal (Nick Utechin’s introductions on the discs provide all the information you really need).
One quibble though. The track listings are incorrect. Someone has assumed that each disc contains 20 tracks and that each of the two stories on each disc takes up 10 tracks. This is not the case as my correct track listing below shows. I have also given the full broadcast date.
CD1
- The Copper Beeches (Track 1 Introduction to the Collection, Tracks 2 Story introduction, Tracks 3 to 9 Story) broadcast 11th August 1959
- Thor Bridge (Track 10 Introduction, Tracks 11 to 18 Story) broadcast 1st January 1962
CD2
- The Sussex Vampire (Track 1 Introduction, Tracks 2 to 9 Story) broadcast 18th September 1964
- The Three Garridebs (Track 10 Introduction, Tracks 11 to 19 Story) broadcast 4th September 1964
CD3
- The Three Gables (Track 1 Introduction, Tracks 2 to 10 Story) broadcast 2nd October 1964
- The Retired Colourman (Track 11 Introduction, Tracks 12 to 18 Story) broadcast 9th October 1964
CD4
- The Boscombe Valley Mystery (Track 1 Introduction, Tracks 2 to 8 Story) broadcast 12th December 1966
- The Crooked Man (Track 9 Introduction, Tracks 10 to 16 Story) broadcast 19th December 1966
CD5
- The Cardboard Box (Track 1 Introduction, Tracks 2 to 11 Story) broadcast 19th April 1960
- A Case of Identity (Track 12 Introduction, Tracks 13 to 22 Story) broadcast 26th June 1969
CD6
- The Naval Treaty (Track 1 Introduction, Tracks 2 to 19 Story) broadcast 22nd March 1960
- The Noble Bachelor (Track 20 Introduction, Tracks 21 to 26 Story) broadcast 18th August 1959
As I usually transfer compact disks to iTunes I also noticed that the track listing have not been uploaded into Gracenote (where iTunes get its track information from) so there is no information downloaded into iTunes to identify each track other than the track number.
Posted in Carleton Hobbs, Radio
I have my plans [ILLU]
27th June, 1 Comment
By The Good Doctor
Looking forward to later in the year . . .
August
4th – The Carleton Hobbs Sherlock Holmes Further Collection with Carleton Hobbs and Norman Shelley (with introductions by Nicholas Utechin)
A further collection of Sherlock Holmes dramas, starring Carleton Hobbs, from the BBC Radio Archive. In this these twelve classic stories, Carleton Hobbs established the ‘sound’ of Sherlock Holmes, with Norman Shelley as his superb Watson. Collected together on CD for the first time, with a specially commissioned introduction by Nicholas Utechin, former Editor of “The Sherlock Holmes Journal”. This collection includes: “The Copper Beeches”, “Thor Bridge”, “The Sussex Vampire”, “The Three Garridebs”, “The Three Gables”, “The Retired Colourman”, “The Boscombe Valley Mystery”, “The Crooked Man”, “The Cardboard Box”, “A Case of Identity”, “The Naval Treaty”, and “The Noble Bachelor”.
September
1st – A Brief History of Sherlock Holmes by Nigel Cawthorne
Sherlock Holmes continues to have a perennial allure as the ultimate sleuth. As Holmes is being re-introduced to a new audience through TV and film, Cawthorne introduces the general reader to Holmes including his resurrection following his unlikely death at the hands of arch enemy, Moriarty. Cawthorne also surveys the world of Holmes, looking at Victorian crime, myself and Inspector Lestrade, as well as the world on the doorstep of 221B Baker Street.
6th – Pirate King: A Novel of Suspense Featuring Mary Russell and Sherlock Holmes by Laurie King
In England’s young silent-film industry, the megalomaniacal Randolph Fflytte is king. Nevertheless, at the request of Scotland Yard, Mary Russell is dispatched to investigate rumors of criminal activities that swirl around Fflytte’s popular movie studio. So Russell is traveling undercover to Portugal, along with the film crew that is gearing up to shoot a cinematic extravaganza, Pirate King. Based on Gilbert and Sullivan’s The Pirates of Penzance, the project will either set the standard for moviemaking for a generation . . . or sink a boatload of careers.
Nothing seems amiss until the enormous company starts rehearsals in Lisbon, where the thirteen blond-haired, blue-eyed actresses whom Mary is bemusedly chaperoning meet the swarm of real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, Russell feels a building storm of trouble: a derelict boat, a film crew with secrets, ominous currents between the pirates, decks awash with budding romance—and now the pirates are ignoring Fflytte and answering only to their dangerous outlaw leader. Plus, there’s a spy on board. Where can Sherlock Holmes be? As movie make-believe becomes true terror, Russell and Holmes themselves may experience a final fadeout.
November
1st – The House of Silk - by Andrew Horowitz
The book is set in 1890, but as written by me in a retirement home (Mrs Hudson may have something to say about that), a year after the death of Holmes. The story opens with a train robbery in Boston, and moves to the innocuous setting of Wimbledon – but, Holmes says, the tale was too monstrous, too appalling to reveal until now. “It is no exaggeration to say it could tear apart the very fabric of society”, he writes in the prologue.
24th – Study In Sherlock edited by Laurie King and Leslie Klinger
Neil Gaiman, Laura Lippman and Lee Child are just three of 18 superstar authors who provide fascinating, thrilling and utterly original perspectives on Sherlock Holmes in this one-of-a-kind book. These modern masters place the sleuth in suspenseful new situations, create characters that solve Holmesian mysteries, contemplate Holmes in his later years, fill gaps in the Sherlock Holmes canon and reveal their own personal obsessions with the infamous detective. It is the perfect tribute and a collection of twisting, clever studies of a timeless icon.
December
5th – An Entirely New Country – Arthur Conan Doyle, Undershaw and the Resurrection of Sherlock Holmes by Alistair Duncan
The late 1890s saw Arthur Conan Doyle return to England after several years abroad. His new house, named Undershaw, represented a fresh start but it was also the beginning of a dramatic decade that saw him fall in love, stand for parliament, fight injustice and be awarded a knighthood. However, for his many admirers, the most important event of that decade was the return of Sherlock Holmes – the character that he felt had cast a shadow over his life.
6th – The New Adventures of Sherlock Holmes – Volume 3 by Anthony Boucher and Denis Green
More radio adventures with Basil Rathbone and Nigel Bruce.
I will add to the list as I become aware of new releases that I may want to add to my collection . . .
The Secret of Sherlock Holmes
4th June, No Comments
By The Good Doctor
I had started to write this review after going to see “The Secret of Sherlock Holmes” starring Peter Egan and Robert Daws at the Duchess Theatre, Drury Lane, London back in 2010 but got distracted with other matters.
With the sad passing of one of the best actors to portray me, Edward Hardwicke, in May 2011, I was reminded that he played me alongside Jeremy Brett’s Holmes in the same play when it was originally brought to the stage through a collaboration between Brett and Jeremy Paul who dramatised a number of my stories for the Granada Television Sherlock Holmes series. Jeremy Paul also sadly died in May 2011.
The play itself is very much a story in two parts. Act 1 is a compendium of elements from the Canon, starting from our first meeting and what led up to it and ending with Holmes disappearance at the Reichenbach Falls, somewhat rapidly followed by his startling return, seven years later, causing me to faint. So at the end of the first act I am out for the count!
This first act, except for maybe the closing few minutes, is like nestling down in your favourite armchair with a pipe, a drink and a favourite book. The latter in this case being the whole Canon. I sat there during this first act with my own words flowing from the two actors towards me causing me to smile, laugh, and even shed an occasional tear as the memories also came back to me.
Act 2 is an entirely different matter. I will not spoil your potential enjoyment of the whole play by revealing the detail of what “The Secret” is except to say that it involves Moriarty and who he really is.
The play can be a disappointment to those expecting a classic case consisting of a problem, an investigation and a solution. All three elements are, in fact present, but not in the form you might usually expect.
I do have a concern about the basic tenet of the case, if I can call it that. It is another of those devices that authors, film-makers and playwrights use to extend our relationship and our adventures together into areas where they do not belong and manipulate our characters in a way that at least stretches credulity and at its worst I find distasteful. Although I cannot claim to know all there is to know about Holmes, we have spent a good deal of time together, sometimes under very difficult, not to say dangerous, circumstances and I find suggestions of this sort unpalatable. I have read Michael Dibdins “The Last Sherlock Holmes Story” and found it distasteful for these same reasons.
Back to the play and Peter Egan does a reasonable job portraying Holmes but he is no match for Brett. I suspect that those who were lucky enough to see the Brett/Hardwicke version of the play thought they were seeing Holmes playing Brett rather than the other way round. I have also seen Egan (with Philip Franks) in The Hound of the Baskervilles and in this Egan seemed to cope with this much better. I could believe he was Holmes in The Hound. In The Secret he was less comfortable and therefore less believable. This strain showed but may have benficial in adding to the required characterisation in Act 2.
Robert Daws is perhaps a little more emotional than me but he handles Holmes’ occasional put-down (“It is true that you have missed everything of importance”) very well, and many must wonder why he (or rather I) put
up with Holmes for so long given the apparent disdain with which he refers to my attempts at deduction.
Going back to the original Brett/Hardwicke performance, the reviews were at the time much kinder than for the more recent Egan/Daws performance – largely I suspect because Brett had become the definitive Holmes of recent times.
The script of the play was first published in 1989 but is now difficult to find in the UK though it is apparently easily available in the USA (from where obtained my copy). A recording of one of the Brett/Hardwicke performance by a member of the audience has recently come to light but, of course, being recorded from audience is not of very good quality. I am not aware of any recordings of the Egan/Daws presentation. There was also a run of the play in the USA and one of my favourite podcasts, I Hear of Sherlock Everywhere, interviewed the team responsible in 2007.
Something I learned from Hardwicke is that Brett performed the play at the Mayfair Theatre as a private performance to an invited audience before the full public production. This version had a narrator and some of my words were delivered by a third person so there were three people performing this version.
Posted in Plays
The Hound of the Baskervilles
7th May, 1 Comment
By The Good Doctor
The Hound of the Baskervilles is most people’s favourite Holmes adventure and it has been the subject of many radio adaptations and over half a dozen films. For many it was their first encounter with Holmes, as played by Basil Rathbone in the version bearing the full title “Sir Arthur Conan Doyle’s The Hound of the Baskervilles”. I will gloss over for the moment how my literary agent seems to take most of the credit!
I envy those who have never heard the story before whose suspicions of everyone but the real villain are aroused by the events as they unfold in my narrative.
Laurence Owen has been working on this new version for four months and he describes it as a labour of love. He says that his parents introduced him to my accounts when he was very young and he has been hooked ever since. It has been something of a life ambition to have a stab at an adaptation himself. He has assembled his cast (including himself), recorded and edited the performance, adding sound effects (some subtle, some quite startling) and composed and added a musical score. He calls it a “radio film” and he feels that The Hound lends itself particularly well to sound or radio adaptations. Many filmed versions of The Hound have been criticised because of the feeble nature of the actual hound (in one example leading a reviewer to refer to the poor creature as “The dog that did nothing in the night-time”). Owen prefers to create an image in the listener’s imagination using only sound.
In choosing The Hound, he mentions that he is also keen on The Creeping Man, The Speckled Band and in particular The Devil’s Foot, indicating a preference with the gothic, although he thinks that if The Hound is well-received, he might consider The Blue Carbuncle (hardly a gothic story!) as it would give him lots of interesting sound effects to simulate – markets, geese, drunken rows etc. – as well as a nice Christmas-themed soundtrack to compose.
The result of all his labours with The Hound is a very atmospheric production, true to my original story in almost all respects, that is best listened to, as Owen suggests, in complete darkness, though if you’re holding the glass of brandy as he also suggests, you may lose its entire contents!
I noticed two characters were missing from the plot – I will leave you to work out who they are. One was excluded because of time constraints (see later) - the other to enhance the drama in one of the key scenes near the end.
The recording is available as a stereo podcast and will also be available in 5.1 surround sound that will take “listeners on a chilling and unforgettable sonic journey” and this is where the time constraints mentioned earlier become important.
Owen will eventually play the piece in a theatrical setting, in complete darkness, in surround sound. For this reason its length needs to be reasonably short, since the piece demands quite a lot of attention from its audience.
This surround sound version will be presented as a cinema or theatre style performance, for people to enjoy as a group. The idea is that they come along to a designated venue, as they would with a movie or a play, and experience a radio-style piece together in total darkness. This is very rarely done, and it is hoped that it will encourage the audience’s imaginations to really come into their own. This version of the piece is still in development, and we await further information about these performances. The current plan is to present them in Fringe theatre style environments, and as such will be ticketed events. Look out for The Hound of the Baskervilles at next year’s Brighton and Edinburgh festivals.
The Hound of the Baskervilles is available from Corporate Records, which provides a new way for performers (mainly musicians) to share, sell and promote their work. Performers can sell single tracks or group them into multiple albums, set minimum prices or use a pay-what-you-like system, embed their tracks in blogs and share static download links on Twitter and Facebook.
The album version of The Hound of the Baskervilles is now available.
More information about Laurence Owen’s The Hound of the Baskervilles can be found at www.facebook.com/thehoundofthebaskervilles and Owen is on Twitter at @laurenceowen
A promotional video can also be found on You Tube at The Hound is Released!
Posted in Internet, Media, Radio, The Hound of the Baskervilles
Holmes on Television – Part 2: 1972 to 1979
18th April, 2 Comments
By The Good Doctor
After a generally good start in the thirty years since Holmes first appearance on television, the Seventies turned out to be a decade that is probably best forgotten in relation to Holmes on the small screen.
Following the repeated series with Peter Cushing as Holmes in 1970 on BBC2 the next appearance of Holmes on the small screen was in the USA in a 90 minute adaptation of The Hound of The Baskervilles on ABC-TV on the 12th of February 1972. Stewart Granger played an unconvincing Holmes with Bernard Fox as me.
It was not well-received by the critics. Would you be convinced by a Holmes wearing a string tie living in a Baker Street on top of a hill overlooking St Paul’s Cathedral? Perhaps the most interesting cast member was William Shatner as Stapleton, three years after his role as Captain James T Kirk in the original Star Trek series. There will be more direct link with Star Trek as we shall see later.
But worse was to some. Back in Britain, the BBC’s Comedy Playhouse was a series of one-off 30 minute comedies, the idea being to see which the audiences liked that could be made into their own series. John Cleese had fallen out with the rest of the Monty Python team and was looking for “something completely different”.
So, on the 18th of January 1973 , the same day as the last of the current series of Monty Python was being shown on BBC2, Cleese appeared as Holmes with William Rushton as me (all is forgiven, Nigel Bruce) in “The Strange Case of the Dead Solicitors”.
A more serious attempt followed on the BBC late the following year though this should really be excluded from “Holmes on Television” as he wasn’t in it! “Dr Watson and The Darkwater Hall Mystery: A Singular Adventure” as its title suggests leaves everything up to me (played by Edward Fox). Its 73 minutes is like a foretaste of the recent BBC Sherlock series with many canonical references (including STUD, BLAC, MUSG and SPEC). I appear to have some fun with a Spanish maid but as the “action” appears to pre-date SIGN I had not met my future wife at that point.
Nearly three years pass and then, in 1976, “Holmes in New York” appears on NBC-TV with Holmes being played by James Bond, I mean, Roger Moore with John Steed (Patrick Macnee) of the Avengers impersonating Nigel Bruce impersonating me. Nevertheless, the plot has some points of interest. Just what is that statuette on Moriarty’s desk and what might it have to do with the person playing Moriarty in this two-hour (too) long television movie?
The following year, in the series “Classics Dark and Dangerous”, came a 30 minute dramatisation of Silver Blaize with Christopher Plummer as Holmes and Thorley Waters as me. This was one of a series of six adaptations of horror and mystery stories. It was broadcast on ITV in Great Britain on the 27th of November 1977. Christopher Plummer is a cousin of Nigel Bruce and portrayed Holmes in a dry, distant manner and chose to stress Holmes use of cocaine by wearing a pale foundation. Thorley Walters plays me as “an overgrown schoolboy” according to one review.
This was preceded on the 18th September by John Cleese, this time with Arthur Lowe (of “Dads Army” fame) as me in “The Strange Case of the End of Civilisation As We Know It”, another parody on ITV lasting 54 minutes. Best forgotten is the general view.
Then in 1978, Peter Cook and Dudley Moore appeared as Holmes and me in “The Hound of the Baskervilles . . . Yet another adventure of Sherlock Holmes and Dr Watson by A Conan Doyle”. This 84 minute parody is also best forgotten!
The BBC TC series “Crime Writers” covered “The Great Detective” later in 1978 with Jeremy Clyde as Holmes and Michael Cochrane as me.
The Seventies was somewhat redeemed at the very end with a series of 24 pastiches, essentially a reworking some of the same scripts as were used in the 1954-55 Sherlock Holmes series starring Ronald Howard. This time Geoffrey Whitehead played Holmes with Donald Pickering as me.
Generally speaking, none of what occurred in the Seventies has made it to DVD which may say something about its quality, so much of what I have written is based on what others have told me about these programmes.
The exception is the last series with Geoffrey Whitehead as Holmes. Some of these episodes have appeared on YouTube and a good search engine should help you locate them.
If anyone can advise on the availability of any of the programmes on video, here or in the USA, I will be happy to pass on the details.
So, the Seventies came to a close with little to recommend it to Holmes fans. But the Eighties would eventually bring us a fresh approach to my original stories and a Holmes, who on the television screen, would rival, and some say surpass, Basil Rathbone’s portrayal on the cinema screen.
Posted in Media, Television
Holmes on Television – Part 1: 1937 to 1970
27th March, No Comments
By The Good Doctor
The first appearance of Holmes on television was in the USA.
Louis (or Luis) Hector, who had played Holmes on the radio from 1934 to 1935, played Holmes alongside William Podmore as me in “The Three Garridebs” an adaptation of the story from The Case-Book of Sherlock Holmes”. David Stuart Davies’ excellent book, “Starring Sherlock Holmes”, gives a fairly detailed account of this black and white, 30 minute, first appearance broadcast by NBC on the 27th November 1937.
It was another 12 years, in 1949, before Holmes appeared again on television. Again this was in the US and was an adaptation of “The Speckled Band” with Alan Napier as Holmes and Melville Cooper as me in a 28 minute broadcast on CBS. Alan Napier would later play Batman’s manservant Alfred in the Adam West Batman’s series in the 1960s.
Three years later on the 29th July 1951, Holmes appeared for the first time on British television on the BBC in a children’s programme, “For the Children – The Adventure of the Mazarin Stone” with Andrew Osborn as Holmes and Philip King as me.
Later that year Holmes appeared in in six 30 minutes adaptations on the BBC in a series entitled “We present Alan Wheatley as Mr Sherlock Holmes in …”. Alan Wheatley would be later remembered for playing the Sheriff of Nottingham in the televison series “Robin Hood” alongside Richard Greene (who played Sir Henry Baskerville in “The Hound of the Baskervilles” with Basil Rathbone and Nigel Bruce). This series included “The Empty House” (broadcast on the 20th October 1951), “A Scandal in Bohemia” (27th October), “The Dying Detective” (3rd November), “The Reigate Squires” (17th November 1951), “The Red-Headed League” (24th November) and finally “The Second Stain” (1st December). I was played by Raymond Francis, whom British readers may remember as Chief Inspector Lockhart in the series about Scotland Yard called “No Hiding Place”.
A couple of years later in the US, Basil Rathbone appeared as Holmes in a 30 minute pastiche (the first television programme to stray from the Canon). This CBS broadcast on the 26th May 1953 was entitled “Suspense: The Adventure of the Black Baronet” in which I was played by Martyn Green as Nigel Bruce was too ill (he died later that year). The story was written by John Dickson Carr and Adrian Conan Doyle, son of Sir Arthur.
The following year in the US there was the first major series of Holmes adventures on television. This starred Ronald Howard as Holmes and Howard Marion Crawford as me (he had played Holmes on the radio in Britain). These are mainly pastiches with one story, “The Red-Headed League”, from the Canon. All 39 episodes were about 25 minutes long and were broadcast weekly stretching over a whole year from the 18th October 1954 to the last episode on the 17th October 1955.
Nothing was seen of Holmes on television for the next nine years until Douglas Wilmer appeared as Holmes in “Detective: The Speckled Band” on BBC1 in the UK on the 18th May 1964. Nigel Stock was Watson. This was one of a series of stories featuring different detectives. The BBC was looking for something to follow their succesful “Maigret” series, which had starred Rupert Davies who introduced each programme in the Detective series. The following year, twelve more Holmes adventures, all from the Canon, appeared on the BBC in 50 minute episodes with the Wilmer and Stock pairing.
Then there was a three-year gap before Holmes appeared again in the BBC series “Sir Arthur Conan Doyle’s Sherlock Holmes” series of 16 adaptations from the Canon. Peter Cushing replaced Douglas Wilmer as Holmes but Nigel Stock was Watson again. All sixteen were shown on on the BBC1 in 1968 and 12 of them were show again, this time in colour, on BBC2 in 1970. The really sad fact about this series is that only 5 episodes remain (A Study in Scarlet, both parts of The Hound of the Baskervilles, The Boscombe Valley Mystery, The Sign of Four and The Blue Carbuncle). It was BBC policy at the time to wipe and re-use tapes once they were judged to be of no further use. This seems very short-sighted now but the first domestic video recorders were still a couple of years away.
In the next part of this series, we enter the 1970s and we come across some rather questionable interpretations of Holmes’ adventures, as we make our way to the mid-1980s and encounter what some see as the best portrayal of Holmes on television or maybe on screen anywhere . . .
DVDs available in the UK:
The Sherlock Holmes Collection [DVD] [1968]“>Peter Cushing – The Sherlock Holmes Collection (only 5 of the series)
DVDs available in the US:
Sherlock Holmes“>Douglas Wilmer – Sherlock Holmes
Books used in compiling this series:
UK: Sherlock Holmes on Screen“>Sherlock Holmes on Screen by Alan Barnes; Starring Sherlock Holmes: A Century of the Master Detective on Screen
“>Starring Sherlock Holmes by David Stuart Davies; Sherlock Holmes: A Centenary Celebration
“>Sherlock Holmes – A Centenary Celebration by Allen Eyles
Posted in Media, Television
The Official Papers Into The Matter Known As – “The Hound of the Baskervilles”
12th March, 2 Comments
By The Good Doctor
Over Christmas I amassed a pile of books to review and one of these is this set of official documents, published by MX Publishing on behalf of Detective Inspector Kieron Freeburn (retd.) of New Scotland Yard. Freeburn discovered a dusty folio at an auction in Exeter. As a result of his examination of the contents he believes that they are the original police case files that detail the investigation by Scotland Yard represented by our good friend, Inspector Lestrade and various members of the Devon County Constabulary into the story that I recalled under the title “The Hound of the Baskervilles”.
This is the first time I have seen the witness statements, medical files and original police reports that chronicle the police view of the case covering the death of Sir Charles Baskerville, the killing of the hound and the tragic aftermath.
At the outset, I must state that I have not seen the original documents although I understand that the publishers have received a request from the USA to purchase the originals. The set I have been provided with (which you can obtain for yourselves here) are facsimilies of the originals which are said to be in a delicate condition. The author, possibly on the advice of the publisher, has decided to type up many of the documents in a copperplate script to make them easier to reproduce and read than the original handwritten and typed versions.
However, there do appear to be some discrepancies between these documents and my own records of the case. I am, in this repect, grateful to Roger Johnson of the Sherlock Holmes Society of London, pointing out to me that the post mortem report on Sir Charles gives Sir Henry’s name; Selden’s name changes from Arthur to Albert; Mrs Lyons is referred to as Miss Lyons, and Barrymore once refers to his wife as his sister! Some of these errors may have occurred in the transcription from the orginals. In the original publication of my version of the events in the Strand, the death of Sir Charles were stated as occurring at the beginning of May. This was later changed to June when the account was published in book form but the police records still refer to these events as occurring in May rather than June. The “tone” of some of the police reports has, I think, something to do with the resentment that the police felt about Holmes becoming involved in the investigation.
The Annotated Sherlock Holmes and the volume on The Hound of the Baskervilles from the Sherlock Holmes Reference Library are useful aids in checking the validity of these documents. My own view is that whilst they do not shed any further light on the events they do provide a useful background to Holmes’ investigation and an insight into the official police view at the time.
Posted in Annotated Sherlock Holmes, Books, The Hound of the Baskervilles